Posts Tagged ‘master’

Death in Heaven falls upon the Earth as the dead rise from their graves and the Doctor battles to save humanity from the machinations of his oldest enemy.

Oh, don’t be so slow, it’s embarrassing. Who could fool you, like this? Who could hide right under your nose? Who could change their face any time they want? Hmm. You see, I’m not Clara Oswald. Clara Oswald has never existed.

By the conclusion of Death in Heaven two things are abundantly clear. Firstly, Peter Capaldi’s a magnificent Doctor, quite possibly the best NuWho incarnation. Secondly, it’s way past time for Steven Moffat to relinquish his stewardship of the series. Series 8’s finale is one of the most nonsensically disjointed stories ever delivered under the banner of Doctor Who. It’s stuffed fuller than a Christmas turkey with Moffat’s increasing desire to produce illogical shock revelations. The writer’s fallen in love with his own supposed cleverness and sacrificed all attempts to produce a coherent narrative flow.

Doctor Who - S8 E12 Death in Heaven

Clara’s claim to be the Doctor (accompanied by Jenna Coleman’s name coming first in the opening credits and her eyes appearing in place of Peter Capaldi’s) is Moffat’s most ludicrous, idiotic and plain stupid supposed shock revelation to date. Emerging from nowhere with zero buildup it’s sole intention seems aimed at getting fans trending Doctor Who on social media as their fervour ignites. Everything’s then shot down as logic kicks in. Come on, all the bloody Cybermen had to do was scan Clara to realise that she’s not a Time Lord. She may have been a pseudo-Doctor in Flatline but it’s patently obvious that she’s not a future or alternate version of the genuine article. (more…)

The nature of death itself provides the backdrop for the return of two old adversaries as Steven Moffat’s Dark Water plunges Doctor Who into contentious territory with its risqué adult-orientated themes.

Danny, I’ll never say those words again. Not to anybody else, ever. Those words, from me, are yours now.

It’s nigh on impossible to comprehend that Dark Water stems from the same creative mind as the writer who kicked off Peter Capaldi’s time as the Twelfth Doctor with the atmospheric brilliance of Deep Breath. After being excised for the first 10 episodes of Series 8, all that’s been bad about Steven Moffat’s oversight of Doctor Who makes an unwelcome comeback. As was the case with The Day of the Doctor and The Time of the Doctor, stupidity is rife. Ludicrous character development, inappropriate sexual innuendo, supposed jaw dropping shock revelations that fail to stand up to sober followup consideration.

Doctor Who - S8 E11 Dark Water

If Amy (Karen Gillan) had threatened to destroy all the TARDIS keys in order to blackmail the Eleventh Doctor (Matt Smith) into bringing Rory (Arthur Darvill) back from the dead, the shock to the audience would have been profound. Not so much the shock of Rory being dead (that tended to happen a lot) but more that Amy was prepared to betray her beloved Raggedy Man. Gillan and Darvill had fantastic characters and genuine chemistry in that respect, even when the writing got ropier towards the end of their tenure.

Clara (Jenna Coleman) throwing away everything she’s built with the Eleventh and Twelfth Doctors for the sake of the sopping wet blanket that’s Danny Pink (Samuel Anderson) is patently ridiculous. Since his introduction in Into the Dalek this ex-soldier turned maths teacher has remained utterly devoid of an interesting personality, despite emotional chains wrapped tight around him. The intimation that Danny killed a child during his military service in Afghanistan receives confirmation in Dark Water. And it leaves an unsavoury aftertaste as Doctor Who is dragged into the real world in an unpleasant fashion. Granted the bullet-ridden corpse of the Afghan child Danny shoots in the fog of war isn’t shown but the implication is there and the results too easily imagined. The realistic representation of warfare isn’t appropriate for Doctor Who. Imagine a Patrick Troughton story featuring a massacre during the Vietnam war or a Tom Baker story revolving around the Troubles in Northern Ireland. (more…)